Through Struggle … To The Stars

The Battle of Britain Memorial Window RAF Chapel, Westminster Abbey, London, England, September 16, 2025.

At the east end of the Lady Chapel in Westminster Abbey, London, there is a chapel dedicated to the Royal Air Force. This chapel honours the fighter pilots and crew from the United Kingdom, the Commonwealth, and allied nations who lost their lives during the Battle of Britain, which took place from July 10 to October 31, 1940. 

The Battle of Britain Windows, designed by Hugh Easton, were dedicated on July 10, 1947 and feature 48 lights. Bombs that fell during the war damaged the chapel and destroyed the Tudor glass. A glass cover preserves a hole in the stonework. The establishment and dedication of this chapel and memorial were among the earliest wartime efforts to honour those who had been lost.

Proposed as a memorial to “The Few” in 1943, it was unveiled on July 10, 1947, by King George VI. Marshal of the RAF, Lord Trenchard and Lord Dowding, leader of the Fighter Command, led fundraising efforts to furnish the chapel and create a stained-glass window. The English walnut altar, designed by A.E. Richardson, features sculptures of King Arthur and St. George. J. Seymour Lindsay designed the silver cross, candlesticks, and rails. 

The window’s upper tier displays majestic Seraphim with six wings and outstretched hands reaching toward paradise in glass of vivid blue and red glass. Pilot faces are based on actual RAF personnel, Hugh Neil and Wing Commander Gordon Sinclair.

The other lights include squadron badges and scenes of Redemption, the Pieta, the Crucifixion, and the Resurrection. Flags representing New Zealand, Canada, Australia, South Africa, Czechoslovakia, Poland, Belgium, and the United States are displayed.

Carpet with Royal Air Force Emblem.

The meaning and symbolism behind each panel convey the stories commemorated by the window. The central section displays the RAF motto “Per Ardua ad Astra”, meaning Through struggle to the Stars. There are 70 Squadron badges of the fighter squadrons involved in the Battle displayed in the window. Some were inadvertently left out in the original design and later added in 1961. 

A squadron leader kneels before the sorrowful Virgin Mary and the Christ Child, with the dead Christ across her knees below, symbolizing the sacrifice of mothers and widows of those who perished in the conflict. 

Battle of Britain Stained Glass Window, Westminster Abbey

In the third tier to the right, kneeling before the Crucifix, a pilot’s sacrifice on the opposite side and above this, the Resurrection is reflected through the eyes of a pilot officer, symbolizing triumph. 

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Battle of Britain Stained Glass Window, Westminster Abbey

The quote “We few, we happy few, we band of brothers”, from the Shakespeare play ‘Henry V’, is featured in lower panels.

‘We Few We Happy Few / We Band of Brothers’

Below the glass on the stonework are the names of six prominent RAF leaders, all of whom held the rank of Marshal of the RAF: William Sholto Douglas, Hugh Dowding, Arthur Harris, Cyril Newall, Charles Portal, and Arthur Tedder. Trenchard and Dowding are buried in this chapel.

The structural angles and geometric lines illustrate the organized, unified, and effective nature of the ‘Dowding System,’ which integrated radar and fighter aircraft technologies, allowing Britain to achieve a critical advantage against the Luftwaffe and ultimately secure victory in the battle.

The Battle of Britain Book and flag
Squadron Icons on lower tier of Window

Hugh Ray Easton (November 26, 1906 – August 15, 1965) was born in London, studied in France, and established his own studio in Cambridge, UK. During World War II, he served as a commander at the Ministry of Information in the Royal Naval Volunteer Reserve (RNVR). Most of his windows were crafted at the studios of Robert Hendra and Geoffrey Harper in Harpenden. Easton died on August 15, 1965, in London. A memorial service was held at Westminster Abbey, in the Henry VII Chapel, on September 24, 1965.

These windows commemorate the Royal Air Force personnel who lost their lives in the Battle of Britain. They also remember my 2nd cousin, Camille BonSeigneur, from Gull Lake, Saskatchewan, who served as a Pilot Officer with Squadron 257. Camille was killed in action during the Battle of Britain on September 3, 1940 at 22 years of age at The Grove Wood.

Sources:

https://www.westminster-abbey.org/abbey-commemorations/commemorations/hugh-easton

https://www.westminster-abbey.org/history/explore-our-history/raf-chapel

Harry Clarke – A Strange Genius

Harry Clarke, A Strange Genius
By Toby Coté
 
In Dublin, Ireland, I was fortunate to visit 2 galleries exhibiting one of my favourite stained glass artists, Harry Clarke (1889-1931). 
This exhibition was a collaboration between the National Museum of Ireland and the Crawford Art Gallery, Cork, Ireland. 

Remembered by his former tutor A.E. Child as ‘one of the strangest geniuses of his time’.

Born in Dublin, Clarke was best known for church installations. He served as an apprentice in his father’s stained-glass business and was trained under the tutelage of Alfred Ernest Child (1875-1939) at the Dublin Metropolitan School of Art. He later returned as a teacher and established his own studio in Dublin.
 
Passionate about fairy tales and the romantic style of poetry, Clarke illustrated books by authors Hans Christian Anderson, Goethe and Edgar Allan Poe, taking inspiration from these works to create his stained glass in Art Nouveau and European Symbolism style.
 

Harry Clarke employed a unique technique involving aciding and plateing together double sheets of  glass to produce a variety of colour range gradations and tones, further embellished with layers of work using glass paints, resulting in a depth of colour, and assembled in lead. 
 
The first exhibit was at Collin Barracks in Dublin, Ireland. It was a temporary exhibit featuring eight smaller works by Harry Clarke. 

The photos below are of the piece ‘A Meeting’, by Harry Clarke, depicting a meeting between a mermaid and a merman.

Detail of ‘A Meeting’, by Harry Clarke, Collins Barracks, Dublin, Ireland
 ‘A Meeting’, by Harry Clarke, Collins Barracks, Dublin, Ireland.

From the information plaque, it reads:

        “The stained-glass panel shows two figures
             dancing among trees by a water’s edge,
            with other couples visible in the background.”
 
Clarke gained inspiration by a poem Heinrich Heine wrote:
All under the lime trees the music sounds,

And lads and lasses dance there, too;
A couple are dancing whom no one knows,
They are tall, and of noble air, too.”

The second exhibit was at the National Gallery of Ireland. The ‘Mother of Sorrows’ window was created by Harry Clarke with dimensions of 323.5 x 48 x 0.1 cm and 307.5 x 48 x 0.1 cm.

‘Mother of Sorrows’, by Harry Clarke, National Museum of Ireland, Dublin, Ireland

The Mother of Sorrows was commissioned by Sister Wilfrid in 1926 to commemorate the victims of World War I. Due to Sister Wilfrid’s sudden death, the window was installed in Glasgow on January 24th, 1927, and became her memorial. The first light depicts two angels praying with St. Francis of Assisi below, dressed in a brown habit and barefoot. The top panel of the second light features two angels. In the main panels, Mary, in royal blue robes, headdress, and cloak, holds her dead son in her arms. The top panel of the third light depicts two angels, with St. Catherine of Genoa below. 


Clarke died from tuberculosis at age 41 in Coire, Switzerland. A huge loss, but left us a remarkable body of work!
 

WILDCONIC

Iconic Saskatchewan Wildlife and Landscapes

I currently have a new show on now at Handmade House in Saskatoon, from August 1 to September 30

The show  “Wildconic – Iconic Saskatchewan Wildlife and Landscapes” celebrates the breathtaking beauty of the province of Saskatchewan. The exhibition showcases an artwork collection inspired by the province’s diverse wildlife and stunning landscapes.

Immerse yourself in a visual journey through Saskatchewan’s natural wonders, where prairies, forests, rivers, and lakes converge to create a harmonious tapestry. The exhibition features a variety of artistic styles and mediums, including glass art and hand-hooked tapestries capturing the essence and spirit of Saskatchewan’s unique wildlife and landscapes depicting the province’s iconic wildlife. The essence of these creatures and landscapes evoking a sense of tranquility and wonder for the natural world.  

“Wildconic – Iconic Saskatchewan Wildlife and Landscapes” aims to foster a deeper appreciation and understanding of Saskatchewan’s rich natural heritage. reconnect with nature and recognize the importance of preserving and protecting the delicate balance of wildlife and landscapes. 

Toby Cote is a Saskatchewan artist who creates glass and fiber art inspired by the prairies. She showcases her work at Handmade House and the Saskatchewan Craft Council and draws inspiration from her surroundings and life experiences. Connect with her on Facebook and Instagram and her website Borealisboutique.com to learn more.

Loki Wolf

I took a workshop from Bullseye and Tim Carey Studio called ‘A Painterly Portrait’. I enjoyed it and learned a lot with this technique. The fun is in creating the glass pieces and the assembly.

It was a great course – I enjoyed it very much and loved the freedom it afforded in my glass art.

I completed a glass portrait of my dog Loki. She is a sweet pup, and I didn’t do justice to her demeanor – she looks a bit intense in this piece, but love that I have her permanently displayed in glass !

#apainterlyportrait #glassart #Loki #Husky #dogart #glassportrait #glass_elements

Not Fade Away

In November, I completed a Community Arts and Artisanship Certificate With the University of Saskatchewan in Saskatoon.

We did a group show at the Snelgrove Gallery on campus and it was a great experience. My part of the show was a series of 10 watercolour and graphite drawings. They are a narrative of the past and present honouring old family photos I inherited and the ancestry centering around the farming community of Forget, Saskatchewan, where my family was one of the first residents.

I had an audio clip of my late father describing his memories and growing up there, which played as you viewed the paintings.

This show called ‘Not Fade Away’ has become available virtually and the audio clip is merged with the video.

To view the show click here:

To view the show with audio click here:

Thank you ! I hope you enjoy it !

Graduation Exhibition

Our Grad Show opens today at the Gordon Snelgrove Gallery at the U of S Campus. Drop by if you are on campus – or join us for the reception on Friday, November 18th.

Mining in Canada Needs Reinforcement Not Rebranding

An excerpt from Canadian Mining Journal Pg 21 – September 2022

September link to the Canadian Mining Journal https://www.canadianminingjournal.com/digital-edition/

This article by Donna Beneteau was very special to me, because an article that my Dad, Harvey Laberge and I worked was accepted and will be included in the Data Hub Database at CIM (Canadian Institute of Mining) that Donna created. She was looking for stories about the Canadian mining industry, with a history of miner’s lives.

My Dad, Harvey Laberge, was working on the oil rigs and was on the team that drilled the exploratory holes for the development, worked on the shaft sinking and continued to work for the mine at Patience Lake, Saskatchewan – PCA or Potash Company of America which originated in Carlsbad, New Mexico. It is now known as Nutrien – Patience Lake.

Donna explains the project very eloquently below:

To experience the hub or read more about this project click here:

Loon

by Toby Cote

Loon by Toby Cote

The Canadian Loon is a symbol of the Canadian wilderness and evokes a feeling of tranquility. This loon was designed from my collection of photos from one of the many lakes in Saskatchewan.

I reproduced this loon in a watercolour to colourplan the work and finished it in wool strips hooked into foundation cloth.

The hooked rug piece is currently available at the Saskatchewan Craft Council Boutique @skcraftcouncil on Broadway in Saskatoon.

#loon #aquaticduck #wildlife #instaloon #yxeart #artistsoninstagram #wilnernessculture #woodlandwild #wool #hookedrugsofinstagram #hookedrugart #fibreartist #fibrearts #canadianfibre #fiberart #borealisboutique #tncotes

SWITCH PLATE COVER ART

We recently replaced our kitchen backsplash and had two areas where we didn’t want to replace the builder beige plastic switchplate that formerly housed a landline phone connection, and we no longer have a landline phone. There was also a box that housed a cable TV connector (yes, in the kitchen by the stove.. 😮 )

We created glass switchplates and drilled holes to accomodate the screw holes and tried to recreate a Mission-styled Arts & Crafts theme, a la Frank Lloyd Wright stained glass window !

These are how they look in natural light ..

And finally installed in the stone tiles! These were created with clear glass, glass frit and powders and then finally kiln-fired !!

These will soon be available in our Etsy store with custom configurations! Please leave a comment if you are interested – Thanks !

LAIETANA


Hand Painted stained glass copper foiled panel with traditional ground-glass paints, pigment oxides, enamels, stained glass, kiln-fired, soldered, patina application and framed in custom-made pine frame hand-cut dovetail joints with hooks and chain hardware.
18-1/2 x 21-3/4 x 1-1/2 inches

Laietana, the goose, in Carla’s protective embrace has a new lease on life at Santuario Gaia in Camprodon, Spain.
The rescue and protection of animals is the primary function of Fundación Santuario Gaia in Camprodon, Spain. This piece was adapted from a photograph and with the gracious permission of the visual journalist Ana Palacios.
Hand painted stained glass copper foiled panel with traditional ground-glass paints, pigment oxides, enamels, stained glass, kiln-fired, soldered, patina application and framed in custom-made pine frame hand-cut dovetail joints with hooks and chain hardware.
Fundación Santuario Gaia a sanctuary to save animals, is a true cause in Camprodon, Spain. To learn more, please visit https://www.fundacionsantuariogaia.org

Art Studio Boutique !